Note: This paper was prepared as part of the coursework for TC511: Theology & Hip Hop Culture at Fuller Theological Seminary. This paper discusses explicit language and terms that may be considered offensive. These references are made in the context of analyzing the song lyrics and cultural influences within Hip Hop. The intention is not to endorse or promote offensive language but to provide a comprehensive analysis of the subject matter. Reader discretion is advised.

Since its birth, Christology’s placement in Hip Hop has been a complex amalgamation of religious concepts and symbolism interpenetrating sociocultural realities of the diaspora of urban Black culture. Through rhyme schemes, metaphors, storytelling, and presentations of proclaimed biographical experiences, some Hip Hop artists have demonstrated the adoption of Christological identity. In fashion, lyrics, and performances, these artists wrestle with how Christ interacts with their social location while showing their interconnected parallels with Christ. Some artists chose more subliminal or implicit relivatory expressions, which can be observed and analyzed through deep investigations and dissection of the artist’s work and persona. Others choose to explicitly display a relationship through their appearance, personifying themselves as a Christ-like figure, or even in song titles. This paper aims to identify a Christological expression observed in the music video performance of “One Mic” by Nas.